Click-Clack-Thwack

He could smell the wool, almost taste it. Even from several feet away.

Alison put her arm around him.

“Don’t fret my love. I know that it’s hard for you, but you did the right thing. No-one could have expected you to carry on by yourself. It wasn’t possible.”

Less than twelve months ago, Gavin Hughes had been a fourth generation mill owner. His forefathers had passed down the tradition through the years, instilling the love of the fibres, bestowing upon him the skills and secrets learnt over scores of years, until it all ended. With one son running a successful construction business in Australia, and the other studying a PhD in Genomics at Cambridge, there was no-one to take on the heritage. No-one to be the fifth generation. No-one.

Alison would tell him that it was not his fault that neither child had seen a future in wool, that other factors left the business untenable, but Gavin had a strong belief in “where there’s a will, there’s a way”. He knew that he hadn’t done enough to encourage Mathew, whose love of anything mechanical was ideal for keeping the Victorian machinery working. But the boy was more interested in fast cars and local girls, and too many heated exchanges had burned that bridge. Owen was too bright to be tied to the Teifi Valley. That was clear from an early age.

The local wool museum had offered apprentices, but Gavin’s stickling for tight timekeeping and short temper resulted in a high turnover in staff (unlike the sales) and the supply of willing volunteers ran dry.

As did the Teifi, several times a year. Perhaps those loony-leftie tree huggers had a point about global warming thought Gavin. A watermill cannot run without a water, and if there wasn’t a drought, there was a flood, overfilling the mill pond and spilling past the head race. Feast or famine. Drought or flood. Not biblical proportions, but enough to wonder if someone up there had it in for you.

As a child, Gavin had been fascinated by how shaggy fleeces had been turned into soft blankets of many colours. The willowing, turning the washed fleece into fine wisps like the hair of the angels. The fierce looking carding machines, aggressively drawing the wisps through an intricate route around their enormous drums. The click-clack-thwack as the shuttle shot across the loom, only to be returned with equal ferocity, then back again.

But now there was only silence. The fleeces were gone, the machines had been sold as scrap and the shell of the mill awaited the property developers. They said the conversion would be sympathetic to the history of the area. Gareth didn’t care. He had betrayed his ancestors and deserted his trade. He would live a comfortable but troubled retirement in Beaumaris, and never return to the Teifi.

MinG

Ref: Writing101, Day 9 Prompt: A man and a woman walk through the park together, holding hands. They pass an old woman sitting on a bench. The old woman is knitting a small, red sweater. The man begins to cry. Write this scene.

Writing 101 Day 7 and 8: Night and Day

Please take the time to read this beautiful spin on a recent writing 101 prompt.

Smiley in the Mirror's avatarSmiley in the Mirror

Night and Day met at dusk and exchanged their daily pleasantries

“I’m as warm as I’ve ever felt” said Night, in a husky voice. “I’m warm and cool and dry and moist, none sleep save those whom you exhausted.”

“I burned everyone foolish or unfortunate to step out under my power” Day rumbled, proud and full of himself.

“My light baked their land, their crops and their minds”

“Your cruelty and kindness are already known to all” said Night “Stop boasting!”

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Counterpoint

We’re sat in his ground floor flat, listening to Dark Side Of The Moon.

“Words or music. Which is the greater part of a song?” he asks.

“Music. Definitely.”

“Really? So the story of the song is not important to you?”

“If I didn’t like the delivery of the words, I wouldn’t like the song. Besides the song is much more than the dialogue. Not all songs are dialogue, some convey feelings or moods. It’s the melody, chords and instrumentation that will catch my attention.”

“It’s the words that draw me to a song. Take Marillion’s ‘Warm Wet Circles’, there are so many clever meanings, it evokes so many scenes from a young man’s life.”

He quotes:

‘Like a mothers kiss on your first broken heart, a warm wet circle
Like a bullet hole in Central Park, a warm wet circle’.

“I’ll agree that’s clever, but I just can’t take to Fish’s delivery on this song, and the guitar solo is predictable….”

“But can’t you see the images?”

“I don’t give myself time to, because I don’t like the arrangement”.

I take a sip of wine. ‘The Great Gig In The Sky’ starts. A particular favourite of ours.

“What about this track?” I ask.

Ref: Writing101, Day 7 Prompt : Write a post based on the contrast between two things — whether people, objects, emotions, places, or something else.
Today’s twist: write your post in the form of a dialogue.

MinG

Catching The Worm

In response to The Daily Post’s weekly photo challenge: “Early Bird.”

Crisp Morning Light

Crisp Morning Light

It was the Sunday between Christmas and New Year, and many people were sleeping off their seasonal excesses. The cache had been launched the previous evening and we headed off to try our luck at being the first to find it.

Our dedication was not only rewarded with a clear log book, but also with crisp early morning views over the marshes towards Wales. The sun was still low when we took this shadow selfie.

I particularly liked how the light picked up the frost on the marsh reeds, and the subtle differences in the sky colour.

MinG

The Creator

Two adults please.

Grey-blue twinkling eyes greeted me and asked if we’d visited a model village before.

I explained that I used to live near one in Southport and had been taken there several times as a child. Nostalgic eyes smiled as he referred to as a particularly special collection, which he had visited on numerous occasions too.

We discussed various locations where fine villages could be found before the smile-wrinkles appeared again. With a mischievous grin, he asked if we would like to complete the treasure hunt. Yes please!

Walking round the from the ticket booth to be given directions, we were joined by a lean man who we estimated to be in his mid-sixties, dressed in tidy blue engineer’s overalls. Just one small smudge of grease on the front.

With muted pride he advised the best route and told us to watch out for the two model trains which ran at regular intervals.

We set off on our adventure, duly noting our answers on the quiz sheet. At the end of the route we were met by someone who introduced himself as the second in command.

The boss has gone to work on a spare motor for the windmill. He’s a perfectionist you know.

We enquired as to whether he had built the village. Yes, from scratch. And the trains. He used to be a cabinet-maker and couldn’t settle into retirement, so bought the land and created the village.

All by himself?

Yes. Pretty much. At the same time he renovated an out building which is now a holiday let.

Looking back at the village we were given an insight into the soul of its creator.

The paths were clean and free from weeds, as were the colourful flower beds which surrounded each tableau.

A lot of thought had gone into the character of each setting, right down to the contrast between the music playing from some. High Church of England hymns in the steepled church, quieter and more melodic praise from the Chapel of St Mary, while candy flossed barrel organ melodies rang out from the fair.

There was a pleasantly childish sense of humour in some of the signs, in Llangefni High Street you could visit from “Dan Druff’s Hair Salon”.

There was a keen eye to detail in the scale and architecture of the buildings, all based on local landmarks and surroundings. It was clear that he was as passionate about living on Anglesey as he was about his work.

And yet he was humble. Did he deliberately step into the workshop to avoid praise at the end of our visit?

We were surprised to hear that he was over seventy, and that he had decided to sell the enterprise. This could be our last visit to one man’s miniature Anglesey.

We hoped that someone would take it on and continue in the spirit that it was created, but if you read the original post relating to our visit, we also wondered whether this type of attraction is still popular.

MinG

Ref: Writing101, Day 6 Prompt “Who’s the most interesting person (or people) you’ve met this year?”

Cee’s Which Way Photo Challenge: 2015 Week #15

Having difficulty getting to my writing challenges, so for a quick fix, I have entered 

Cee’s Which Way Photo Challenge: 2015 Week #15

I took this at Doddington Hall Gardens, Lincolnshire,  almost two years ago today. 

    

I like the contrast between the well trimmed yews and the relaxed lawn with wildflowers. 

Doddington Hall stands majestically at the end of the avenue. There was only one way to head from here.

More later, 

MinG 

Apart

This is a response to the most recent Writing101 prompt:

Today’s Prompt: You stumble upon a random letter on the path. You read it. It affects you deeply, and you wish it could be returned to the person to which it’s addressed. Write a story about this encounter.

I have struggled with this post. Not least because I am unlikely to read a letter found on a path. When I imagined myself as someone who would, my closest reference point wouldn’t have been affected, just inappropriately interested. So again, no apologies, I will bend the rules…..

 

We first viewed the house in late August. It was empty due to a relocation and, as we had a cash buyer, moving in should be straightforward. 

Without the burden of an occupant seller we enjoyed inspecting every nook and cranny.  In “Bedroom 2” we stumbled across a message scrawled on the inside of a fitted wardrobe door:

I          miss          mummy

 

 

Had mummy been relocated in a high-powered career move?  Or was the separation more permanent?  What pain was the child going through?  We shall never know, but we still wonder.

Two months later, we arrived with removal van, kettle, milk, sugar and biscuits.  When we came to hang up our clothes in the wardrobe, the message had gone.

 

MinG 

Geocaching Bubbles

In response to The Daily Post’s weekly photo challenge: “Afloat.”

But could also have been included in the photo challenge : “Blur”

I had been searching for this photo when the Blur challenge was posted, but it was only this week when I was considering Afloat that I stumbled across it.

We were on a short geocaching trail and had found the third of the morning. Geocaching so much more than just finding and logging. It is also about the journey, local history and geology. And TREASURE.

It is possible leave or trade “stash” (as it is sometimes known), and we have some physical mementos with personal connections or which can transport us back to the find.

Some of the best stash is meant to be shared but left at the cache. On this occasion, a bubble blower tube.

So, there you have it, two “middle aged”, should know-betters, hiding the bushes and blowing bubbles, unbeknownst to the dog walkers passing by just yards away…

If you go down to the woods today....

If you go down to the woods today….

MinG

The Grass Is Definitely Greener…

Today’s Prompt: Write about a loss: something (or someone) that was part of your life, and isn’t any more.

A few years ago I wrote a song called “Take Me Away”. The lyrics reflected my weariness at being in a city where I felt deprived of the space to breathe.

I was dissatisfied with my job, tired of the bureaucracy of being a small cog in a very large corporate machine, and grimy from the constant dust thrown up by improvements to the centre of Liverpool, as it was prepared for being the City Of Culture in 2008. I was ready for a change.

One day I observed someone pushing their way past everyone so they could to get to the ticket barrier first. They were not alone, and one bad days, I joined that race. On this occasion, they almost knocked down the blind guy who I often saw on the way into Liverpool. Something in my mind said, “they show you no pity”, and soon after, the song was born.

Sad sad song coming up from the pavement,
every day just the same such frustration,
look of sheer desperation and dismay.
Sad sad face looking out from the window,
saying “where did my yesterdays go?” 
Hanging on for tomorrow, night and day.

So take me away from the sad lonely face of the city,
Take me away from the grey and the black and the blue.
I don’t want to stay in a place where they show you no pity.
So sorry babe, I got to say,
Take me away.

Lyrically, I was yearning for open countryside. Move forward two years and I made my escape. For the last few years I have been working in a rurally based company with an agricultural focus. Yes, there’s still bureaucracy – I suspect that I will always experience this in my line of work – but I am a larger cog in a smaller machine, and there is so much fresh air just outside the door.

Where I took my lunchtime walk on Wednesday

Where I took my lunchtime walk on Wednesday

Ironically, the thing I miss the most about not working in Liverpool is the train journey. Logistically I am forced to drive to and from work every day, which affords me the privacy that public transport cannot, but I am not able to read, or close my eyes and drift away, and write a song or two.

 MinG

Sing, Sing, Sing Rewritten. Part One 

After posting my reponse to today’s writing101 prompt, I wasn’t happy. So I am having another go. In pieces because it’s late. Apologies for the lack of formatting, I am using the iPad app, which I am not used to.

I am nineteen. Having moved into a bedsit, I feel so mature and in control. I am so young and have so little control. I check that I have my keys, close the bedsit door behind me, plug in my Walkman earphones and press play.

Telegraph Road starts with a quiet held note. A high D which sits somewhere at the back of my head. The volume and instrumentation builds and I am pulled along the deserted streets of my seaside hometown towards the station. 

The song tells the tale of the birth, growth and demise of a working town based around the eponymous road. As the music soars to the height of industrial power, my steps quicken.

Then the tempo slows, and I stand at the head of the main town thoroughfare and ponder the parallels between these roads. My hometown had a glorious Victorian heyday but looks tired in the darkness before dawn. The discount stores seemed to increase at the same pace as the rust on the wrought iron verandas that skirt one side of the street.

The song is approaching its climax now. A jam around a classic rock chord sequence. I too am nearing my destination. The walk and song match each other in length. A happy coincidence which allows me to use a combination of lyrics and landmarks to pace myself. 

I will listen to something different on the return walk this evening, but tomorrow will start with that single high D.

MinG